Email Semester Subject Student Name Himanshi Mittal Allied Design - Landscape Design IV himanshi19@aoamumbai.in Studio Conductors Ar. Juhi Prasad, Ar. Shruti Barve : : : : : : : : : The Rock Garden sits near Sukhna Lake. It consists of man-made interlinked waterfalls and many other sculptures that have been made of scrap and other kinds of waste (bottles, glasses, bangles, tiles, ceramic pots, sinks, electrical waste, broken pipes, etc.) which are placed in walled paths. In his spare time, Nek Chand started collecting materials from demolition sites around the city. He recycled these materials into his own vision of the divine kingdom of Sukrani, choosing a gorge in a forest near Sukhna Lake for his work. Rock Garden is major tourist attraction hotspot for Chandigarh. The play of landscape along with Nek-chands fantasy is exciting to study about. The synch of landscape amenities like waterfall, rocks, vegetation, sky cover, concrete, etc. makes the feel of space heavenly. Although one feels trapped in the experience of space yet there is sense of relief due to the landscape and accessibility of sky. Previous Next Rock Garden : A fantasy

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Email Semester Subject Student Name Tarun Panjabi Humanities V tarun19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Chasing Passion (Style: Cubism)

Email Guide Semester Subject Student Name Aditya Srivastava Architectural Representation and Detailing II Ar.Nikita Sharma adityas20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : Can an app have a real-life prototype that resembles and displays how the app works? The Appsolute exercise in Semester 1 pushed us to do just that. We made a 3d working model which showed how the OkCupid app worked. We later made a graphic for it on an individual level. The vertical cylinders in the center of the graphic symbolize the different profiles which we see on the app. The ramp is the pathway on which one can walk and see these different profiles. Each person using the app (or the model in this case ) has 2 options, either to like a profile or ignore it. If the person wants to like a profile, they swipe right in the app. In the graphic, the user rotates the cylinder in a clockwise direction, which then makes the cylinder fall down and hit a metal surface, making a ringing sound, which resembles the notification sound the person being liked gets on their phone. Previous Next OKCupid

Email Semester Subject Student Name Himanshi Mittal Humanities V himanshi19@aoamumbai.in Studio Conductor Ar. Amey Ghosalkar, Ar. Harshada Shintre : : : : : : : : : There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. There are a number of reasons you may need a block of text and when you do, a random paragraph can be the perfect solution. If you happen to be a web designer and you need some random text to show in your layout, a random paragraph can be an excellent way to do this. If you're a programmer and you need random text to test the program, using these paragraphs can be the perfect way to do this. Anyone who's in search of realistic text for a project can use one or more of these random paragraphs to fill their need. Previous Next Origins of Modernism 3

Email Guide Semester Subject Student Name Dhanashree Jadhav Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre dhanashree19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The hybrid grid in the drawing is the base plan of the building, and the three-dimensional drawing is represented with the use of the Florey building drawing. I assumed it to be an art center, where various events are conducted, and these events are represented with the help of the visual comic illustrations of titin. Previous Next Taxonomy Of Grids 6

Operational Forms Previous Next Email Guide Semester Subject Student Name Jayraj Mistry Technical Design IV Ar. Karan Danda jayraj19@aoamumbai.in Studio Conductors Ar. Harshada Shintre Ar. Karan Danda Ar. Amey Ghosalkar Ar. Saurabh Mhatre Ar. Rohit Shintre : : : : : : : : : : : Designing the spaces through the arithmetic modes like addition , subtraction, division and multiplication adds to the different values of the spaces which can be portrayed through the formation and arrangement of the space according to the arithmetic modes. Addition aims at the addition of the space edge to edge , side by side or face to face thus creating the harmony of space linked with each other. Subtraction aims at subtracting the spaces from one whole entity thus creating a thought of something lost or being carved out of the same volume. Multiplication aims at multiplying a similar volume or an object edge to edge , side by side thus creating a sense of repetition in the overall sense . Division aims at thoughtfully adding the planes according to the activities, movement and sequencing of the spaces thus creating a detailed path of journey across the entire design. This exercise explored the same community centre into four different modes , thus creating different experience and spatial qualities at the same time considering the same function. Thus, different qualities and senses of the building can be achieved.

Email Guide Semester Subject Student Name Hiloni Sheth, Priyal Vasaiwala Architectural Design IX Ar. Rajratna Jadhav hilonis17@aoamumbai.in priyalvasaiwala17@aoamumbai.in Studio Conductors Ar. Rajratna Jadhav, Ar. Rishi Vora, Ar. Hardik Dedhia, Ar. Ashley Fialho, Ar. Esha Tipnis, Ar. Mythili Kowshik-Shetty, Ar. Yagnik Bathija : : : : : : : : : : : ‘No man ever steps in the same river twice, for its not the same river and he’s not the same man.’ Mankind has experienced change along the water edge across time and topography. The constant change in contextual pragmatics through natural and human stimuli, leads to the arising need for development and resilience. We are also a witness to the evolving physical manifestations of objective and subjective human perspectives across timelines. Hence, we can affirmatively say that we do not have the option of a stop button, because we as a society are ever evolving and always adapting. When we speak of needs and aspirations, it is essential to understand that each group of stakeholders have certain ambitions for themselves. Exploring the architectural potential at the water edge defines the social quotient that these concerned stakeholders (namely – Mumbaikars, Kohli’s, Tourists and the Biodiversity) would share among themselves. The aim is to look at the land-water architecture as the grey edge to allow the intervention to be a means of resilience rather than pose resistance to the ecology and the society. Just as ecological resilience demands sensitivity, awareness and policy reinforcements, societal resilience involves tapping into social justice and heritage protection. Undertaking a holistic approach towards heritage – be it monumental heritage or cultural heritage, there is a need to protect and cherish the very identity that it gives to the city and also respect the sentiments of the natives that are attached to it. The land-water edge is not entitled to anybody. Thus, it becomes critical to make this space socially justifiable. Indiscriminate physical and sensory accessibility to the architectural intervention can help achieve that niche in the city that holds people of all age, gender, caste, culture, interests and abilities. Going beyond the physical form of architecture, let us look at architecture as means to enjoy sensory contentment that the waters have to offer. Imagine, walking barefoot on the sand or the sound of the waves crashing or the cool breeze with the orange sunset against the blue expanse of the waters. Through these experiences, we realise that the water edge caters to all our five senses, enabling us to truly experience aesthetics. This symbiotic edge between architecture and water can be explored and enhanced to create a space of social justice and therapeutic sensorial experiences. Previous Next Living on the edge

Previous Next Semester Ar. Harshada Bapat Shintre VII, IX Studio Conductors : : : Mumbai is a large city made of a variety of neighborhood fabrics. The college project will be about analyzing these neighborhoods through their street participation and engagement with the built fabric of the people passing by. Students were tasked with mapping their localities and understanding the characteristics and language of the road networks inclusive of their neighborhood. STREET STORIES

Email Guide Semester Subject Student Name Prathamesh Panchal Architectural Representation and Detailing IV Ar. Saurabh Mhatre, Ar. Harshada Shintre prathamesh19@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, Ar. Harshada Shintre : : : : : : : : : : : The exercise, the taxonomy of the grid, aims at understanding geometry by using simple geometric patterns and creating hybrid patterns. The other phase is to understand landscape, architectural building, and comic illustration created by professionals. The agenda was to create and illustrate a drawing that shows an understanding of grids illustrates certain functions observed by the professional illustrators. The functions and activities of Tintin, as a detective, were observed. Along with this, his journey on various missions around different locations in the city, seeking that person, were recorded. The landscape talks about a street in a busy city. Previous Next Taxonomy Of Grids 1

Previous Next Permanent temporariness Email Semester Competition Name Student Name Samisha Gaikwad Shruti Bhat Siddhanti Shende DAC Redefining Platitudes VII, IX samidha18@aoamumbai.in shruti18@aoamumbai.in siddhantis17@aoamumbai.in : : : : : : : Competition Brief: Redefining Platitudes demands all members to choose an existing drawing or illustration from their previous projects and develop a narrative which is distinctive from the existing narrative of that project by exploring new mediums, textures, graphic styles, and rendering styles. Narrative: “Purified by fire, the memory lives in the heights as a beautiful idea; and death is naught but an immortal birth cradled in flame.” Cremation embodies the idea of “ashes to ashes, dust to dust”. The warmth and light of the fire erase the darkness and death, taking the soul to a new infinite birth. The memory is the only remnant, all physicality has disappeared, so the soul is free from all Earthly bounds. Fire becomes a triumph over the darkness of death. The crematorium embodies the idea of transition of the soul or memory to the next world or plane of being. It is a place for metaphysical transition, a place not only for ‘memorialization’ but also a link to a world or existence beyond the Earthly. The central bowl-like contours naturally radiate towards the eternal infinity, sea. These are interactive with other spaces such that alternate compressive and explosive experiences are created in the design. Our design completes itself as a tangible built structure as well as an intangible experience of reconciliation of grief. When looking at it as a whole complete entity we can see a beautiful amalgamation of natural elements like the air (wind from the sea), fire (burning of the pyres), earth (contours), water (burning of the pyres) and finally the eternal afterlife (which is the final journey of the soul ascending upward begins).

Email Guide Semester Subject Student Name Krishna Khurusane Architectural Design IV Ar. Rohit Karekar krishnak19@aoamumbai.in Studio Conductors Ar. Ravi Hazra, Ar. Porus Master, Ar. Ashley Fialho, Ar. Richa Raut, Ar. Saurabh Jain, Ar. Rohit Karekar, Ar. Shekoba Sanap : : : : : : : : : : : The brief involves designing a facility for a group of urban people coming from Mumbai or Pune to spend a week or so in the lap of Sahyadris while taking on new experiences, learning some things, and getting one step closer to mother nature. This calls for an opportunity to investigate the relationship between man and nature. Folk, oral or written, for ages has been commenting on nature and the assoications humankind forms with nature. Thus the project enquires into “Stories” to extract cues that inform the design and leads to the design itself being a ‘Repository of Stories’ that the user would come to explore. The design language is contemporary, built out of traditional materials, manifesting a unique experience of space and texture for the urban user. Interpretations of folk, songs, and poems govern the space design, making the space ‘a platform where man and nature perform in unison’. Previous Next Nisarga- Farm House 1