Previous Next Email Guide Semester Subject Student Name Atharva Rotkar Design Dissertation IX Ar. Mythili Kowshik Shetty atharvar17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/atharvar_47_dd_book_for_issuu : Studio Conductors : : : Every architectural movement is preceded by an art and literary movement. These are born out of various differences of opinions in schools of thought and the yearning to learn and explore further. Out of seven endophenotypes (behavioral traits) in mammals, ‘seek’ and ‘play’ are the ones common among all. ‘Seeking’ refers to the curiosity and it is only through this quality that we learn to question and discover new concepts. It was the curiosity in questioning an existing theory; Modernism, that led to the theory of Phenomenology being proposed. The origin of interest in this topic stemmed out of a similar curiosity to understand how certain spaces are designed that impart impactful experiences. Phenomenology in simple architectural terms translates to the quality of sensorially stimulating experience of space. In the last few decades, the approach has found its way into practice and has been extensively theorized. The theory has also found a scientific grounding in recent years and provides answers to the reason why the theory works when applied in spatial design. In the pursuit of enriching spaces with stimulatory experiences, the theory seems to have found application in numerous architectural typologies. In addition, the scientific standing ensures a promising success rate. However, the theory seems to cater majorly to ‘the human subject’. In other words, the theory is anthropocentric and seems to give consideration only to the human perception of space. Here laid the opportunity to inquire about the application of the theory and whether it can be further extended to all perceptive beings. Hence, the therianthropic (a mix of human and animal) subject of inquiry. Humans alone are not the only beings capable of space perception. However, most spaces are designed to cater to the human user despite there being a wide array of animals exposed to our architecture. In several cases, humans have employed the sensorial capabilities of other animals for their own occupation. An increasing amount of the human population has also allowed animals to live with them inside their homes as a part of their family. In such a case, it is almost selfish to assume that architectural space production is limited to human usage and perception. The thesis explores the possibility of expansion of the ‘subject’ of phenomenology and the validity of the proposal while trying to remain true to the postulates of the theory. By taking an example of the Canine-Human relationship, the research makes an attempt to act as a case in point for the theoretical enquiry of the application of phenomenology in therianthropic ‘subjects’. Exploring the applications Phenomenology in Therianthropic ‘subjects’

Previous Next Email Guide Semester Subject Student Name Prajwal Pembarti Design Dissertation IX Ar. Shripad Bhalerao prajwalp17@aoamumbai.in Issuu Link Ar. Rohit Shinkre, Ar. Shripad Bhalerao, Ar. Yashwant Pitkar, Ar. Sulakshana Bhanushali, Ar. Nachiket Kalle, Ar. Shruti Barve, Ar. Akbar Biviji, Ar. Harshada Bapat Shintre : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/1731_prajwal_pembarti_dd_book : Studio Conductors : : : The textile industry has a unique place in India. It contributes on a larger scale to the growth and development of the Indian economy. It is one of the earliest to come into existence in India, it accounts for 14% of the total Industrial production, contributes to nearly 30% of the total exports and is the second largest employment generator after agriculture. Almost all the states in India have a characteristic feature in manufacturing their own textile fabric. From the Pashmina’s of Kashmir and Banarasi Silk of Uttar Pradesh in the north to Kalamkari of Andhra Pradesh and Kanjivaram of Tamil Nadu in the south varying from the Bnadhani of Gujarat and Paithani of Maharashtra in the west to the Sambhalpuri of Odisha and Jamdhani of West Bengal in the east, each of these fabrics have their own defined character which marks their symbol that emerges in each of its states. One of the styles which marks its symbol in the state of Maharashtra are the Solapuri Chaddars. It manufactures not only chaddars but also items such as, towels, terry towels, napkins and bedsheets have marked their symbol because of its strength and durability. They are made up of cotton, as cotton is grown on a larger scale in Solapur because of its favorable conditions. The city has evolved from the origin of mills to the use of handloom and powerloom sector and developing itself to the use of autolooms and rapier looms. The textile industry in Solapur provides employment to large number of laborers. Today hand - looms and powerlooms are used on a large scale, mostly powerlooms. The products manufactured from these equipment’s are exported all over the world. Also, the waste fabric isn’t thrown away, people use it to make handicraft items such as fabric lanterns, purses, bags, mobile covers, etc. To carry forward this legacy the proposal is to create the Textile Hub wherein, people can learn the entire process, handle the equipment’s, and understand the required marketing strategies. This proposal will not only be favourable for the people to learn but also to earn in the same space. It will also promote textiles which are made here and mark the presence of Solapuri textiles on a global scale. This research is divided into three parts wherein, first part talks about Solapur as a transit city, introduction of Solapuri textiles, history and literature review. The second part is about understanding the process, issues faced by the textile industry, introduction to handloom and power loom, activities and user analysis, skills and the organizers. The further stages talk about the case studies, proposal and site identification. The third part concludes the dissertation. THE TEXTILE HUB, a place to learn and earn

Previous Next Email Guide Semester Subject Student Name Aditya Shanbhag, Prathmesh Panchal Humanities V Ar. Harshada Shinte, Ar. Amey Ghosalkar aditya19@aoamumbai.in , prathamesh19@aoamumbai.in Studio Conductors Ar. Harshada Shinte, Ar. Amey Ghosalkar : : : : : : : : : : : The National Institute of Faith Leadership (NIFL) is an Islamic institution of education, research, dialogue and introspection, with a bold vision of questioning today’s interpretation of Architecture and how it addresses faith! The campus is envisaged as an ecosystem to evolve and modernize Islam, to reiterate traditional values that are relevant in contemporary times and reposition them in a secular, plural and national context. The basic form of this object on site is mass with a hole. A courtyard that allows light into the building as it celebrates the introverted magnificence of an Islamic institution. The breaking of the arch is synonymous with the opening of the mind from myths and traditions. The iconic entrance is celebrating just that; an arch in concrete removes the ‘key stone’ to liberate the form, allowing in light and space. The building consists of basic geometrical forms but their sheer volumes create a bold architectural impression. The labor force for the construction of the building comprised the followers of the client Mahmood Madani's preaching from the neighboring village. National Institute Of Faith And Leadership (NIFT)

Previous Next Email Guide Semester Subject Student Name Shufa Ansari Technical design III Ar. Amey Ghosalkar, Ar. Nachiket Kalle shufaa20@aoamumbai.in Studio Conductors Ar. Amey Ghosalkar, Ar. Nachiket Kalle : : : : : : : : : : : This exercise was to explore the techniques of building construction and it's construction details through this exercise we learnt about the various load distribution in an load bearing dome. The design of the dome was to distribute the compressive loads and to create a shell structure which was columnless in between. We explored the design by making physical model of this perticular exercise. Bucky

Previous Next Email Guide Semester Subject Student Name Miriam Thomas Technical Design III Ar. Sulakshana Bhanusali miriamt20@aoamumbai.in Studio Conductors Ar. Saurabh Mhatre, , Ar. Amey Ghosalkar,, Ar. Sulakshana Bhanushali,, Ar. Nachiket Kalle, Ar. Nitesh Avadh : : : : : : : : : : : Through this exercise, we tried to understand the space, layout, and area required in order to facilitate different functions and activities in space. We looked at our existing bathrooms and the problems we face in using them then tried to redesign the same space by improving its layout, plumbing details, and aesthetics. Bathroom Project

Previous Next Heat Gain and ventilation evaluation of a passive response building

Previous Next Email Guide Semester Subject Student Name Palak Bhattad Technical Design V Ar. K.V. Parameshwar palak19@aoamumbai.in Studio Conductors Ar. K.V. Parameshwar, Ar. Milind Amle, Ar. Dhara Parekh, Ar. Pranay Bhavsar : : : : : : : : : : : The idea & focus of this exercise was to incorporate all the elements and learning’s of Building Construction & Building Services into the design. The Facade of the Clubhouse was to be designed using either Curtain Glazing/Dry Cladding or a combination of both. Also, the design had to incorporate a Canopy as the Entrance gesture of the building. The same building spaces were used to study and design Basic Services, Electrical Layout of the structure and Acoustical Services of the Auditorium. We were encouraged to explore new materials and design new details. The proposed Clubhouse is a G+1 structure with an ACP metal clad exterior and Sandwich panel Curtain Glazing system. A massive steel frame glass canopy greets visitors as they enter the edifice. Equitable lighting and acoustics are taken into account while designing spaces. The Structure and Services principles are applied to the project while exploring and inventing innovative ways to achieve the same. Club House for a Residential Complex 1

Previous Next The Ministry of Stories and Posters

Email Guide Semester Subject Student Name Niket Vira Architectural Design VII Ar. Bhavya Gangar niketv18@aoamumbai.com Studio Conductors Ar. Prashant Sawant, Ar. Swati Choksi, Ar. Bhavya Gangar, Ar. Milind Amle, Ar. Sunil Sadekar, Ar. Snehal Gaikwad : : : : : : : : : : : The project was to create housing for the MLAs and MLA karyakartas visiting Mumbai annually. The project not only aimed at providing shelter but also at developing their personality. Ministers have a very tight schedule throughout the day thus, it is imperative for them to be highly disciplined, be in the best of their mental and physical health and be quick on their feet to process things quickly and clearly. Therefore, traits such as confidence, social skills, communication, leadership qualities and health of the MLA’s and their karyakartas needed to be developed using cognitive reframing of mind with the help of nature and designed landscaped areas. These trigger the five sensory organs, creating pleasant views. These thoughts instil feelings that enable healthy behaviour, giving them a fresh mindset forming a continuous cycle. The form of the building needed to be sleek and royal, giving a sense of belonging and acting as a landmark, hence inspirations from the Rashtrapati Bhavan were inculcated. With the site being located at Nariman Point (the western coastal edge of Mumbai), it enjoys proximity to prominent areas of South Mumbai like Colaba, Cuff Parade and World Trade Centre, which allows it to exploit the expansive panoramic views of the city and the sea from the higher floors. Previous Next MLA Housing and Business center

Email Guide Semester Subject Student Name Tasneem Vali Architectural Representation and Detailing II Ar.Nikita Sharma tasneem20@aoamumbai.in Studio Conductors Ar. Rohit Karekar, Ar. Shivani Mehta, Ar. Anisha Mehta, Ar. Ronak Savla, Ar. Nikita Sharma : : : : : : : : : : : Splitwise -a mobile application that allows one to easily split expenses, among a group of friends or acquaintances. The designed structure is a physical manifestation of the same with a unique user interface representing the various features of the app. The two striking features of the app are - how it allows one to make groups and balance debts. These have been portrayed in the form of three non-uniform cylinders, each representing a group of different sizes. Each cylinder consists of a platform and a ring that has a seesaw mechanism signifying the balancing and simplifying of debts which come across as the physical mass of the participants. The focus of the graphic was to show the functioning of each group and how people interact with it. The choice of an exploded lets one to view the inner working of the group with an overview of how each group has different heights and sizes. Humans have been represented in different colours to signify different interactions with the groups. A combination of leader lines and pop-outs have been used to further explain the minute attributes. Everything comes together to form a unified graphic. Previous Next Splitwise

Email Guide Semester Subject Student Name Miriam Thomas Architectural Design III Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain miriamt20@aoamumbai.in Studio Conductors Ar. Nachiket Kale, Ar. Amey Matre, Ar. Mehul Sanghavi, Ar. Anshu Choudhari, Ar. Amit Jain : : : : : : : : : : : Set in the context of a quaint background hidden in nature, the house features many open spaces and quiet secluded nooks for each individual to practice their hobbies and interests, made of materials drawn from nature to bring in the idea of being grounded and close to their roots. Larger volumes and varying levels allow one to reimagine the space within and gives the idea of still being connected to another even when not in close proximity. The house would host an array of different functions and activities with each space flowing into each other and decorated with various curios collected and inherited over the years. The key forces of nature are embraced within this space - bursting with natural light and ventilation throughout the day. The transitioning from the exterior to the interiors would be seamless with the form being the carrier of movement. The movement of the sun brought in by various openings tells a different story throughout the day. A house that would grow, thrive, and fade back into nature along with its inhabitants. Previous Next The Transforming Habitat