Email Guide Semester Subject Student Name Prajwal Satvidkar Architectural Representation and Detailing IX Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar prajwals16@aoamumbai.in Studio Conductors Ar. Karan Danda , Ar. Saurabh Mhatre, Ar. Shripad Bhalerao & Ar. Yashwant Pitkar : : : : : : : : : : : The thesis focuses on waste materials that can be reused and adapted. The criteria were in terms of their strength, compression and stability and if these materials can cope with the existing building materials in terms of usage, cost and work efficiency. The graphic developed over time portrays the same concept in the simplest form. It focuses on the following objectives: 1) Waste generated from humans. 2)How it is a primary concern? 3) Where can we direct this waste? Previous Next Waste: As Material of Construction

Read More Pause From Permanance Devansh Goshar Read More Engineered Bamboo: An Alternative Urban Material of Construction Chintan Shah Read More Jalsandharan: Revival of Traditional Water Infrastructure in Karmala Niharika Shah Read More Pollinators and the City Anushri Shetty Read More A.C.T.I.V.E. – Altering Cognition Through Interactive & Voluntary Engagement Kevin Shah Read More Deciphering Play: Exploring affordances in social housing Serah Yatin Read More Apparatus of Amusement Aum Gohil

The Wave Previous Next Email Guide Semester Subject Student Name Ananya Nayak Theory of Structures + Architectural Building Construction and Materials II Ar. Kanak Kashyap ananyan20@aoamumbai.in Studio Conductors Ar. K. V. Parmeshwar, Ar. Rohit Karekar, Ar. Hardik Dedhia, Ar. Kanak Kashayp, Ar. Pranay Bhavsar. Ar. Rajesh Shelke : : : : : : : : : : : The design features a cantilever in the shape of a hyperbolic paraboloid. Made out of watchmakers sticks, the twisted form of the structure imparts strength to endure higher loads. The sticks have been tied together with a thread, using a special knot to hold them firmly in position. The threads used to anchor the sticks at an angle of 20 degrees are stitched to the cardboard bracket that maintains the said angle. Several sticks have been fastened together to increase the cross-section of the anchored member. This acts as the main load-bearing member, which supports the sticks on which the load is placed. The efficient design of the structure enables it to bear a load much greater than its dead load.

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Previous Next Email Guide Semester Subject Student Name Harsh Dinesh Shah Design Dissertation IX Ar. Prof. Snehal Gaikwad harshs17@aoamumbai.in Issuu Link Ar. Milind Amle, Ar. Swati Chokshi, Ar. Rajratna Jadhav, Ar. Snehal Gaikwad, Ar. Swapna Hankare, Ar. Richa Raut,Ar, Yagnik Bathija, Ar. Neha Panchal, Ar. Porus Master, Ar. Rahul Manohar, Ar. Sanjay Mehta : : : : : : : : : : : https://issuu.com/aoa_confluence_2022/docs/final_dd_book_spreads_ : Studio Conductors : : : In the last few decades, the domain of urbanization witnessed various revelations by city space practitioners, where advocacy for social sustainability became the key discourse. Throughout the cities’ evolution and adaptation; the cities rather demanded a more plastic approach for change, reducing sociability. The ephemeral exhibits and pop-up environments (PUEs) (Bertino, 2019) were advanced urban tools that devised a vehicle to advocate initial recognition for the city’s evolution as an emerging need for new infrastructures, new land uses, and new space availability. Led by migration and demographic change the PUEs manifest as an intersection between new city space’s customs and their habits. The research directs attention towards the use of more examinations led by temporary environments that scale for various social interactions and recognize newer interactions of the city dwellers. Moreover, the agencies of planning and spatial practitioners of the city space are themselves in a dilemma over whether to provide a healthy and socially sustainable city space by expanding the public space or by improvising the essential infrastructure. Cities that are widely congested are prone to lengthy bureaucratic and implementation procedures where the scope of upcoming developments can be tested by adaptation through PUEs. Thus, offering an opportunity to operationalize and mobilize imaginations of an expanded city space through temporal mechanisms and frameworks of pop-up environments, to facilitate both a healthy public space and short-term infrastructure. The idea of temporary urban space which is guided by the recent studies in the domain of pop-up environments (PUEs) and the framework (Bertino, 2019); examined for certain select projects such as the ‘add on. 20 Höhenmeter, 2005, Vienna, Austria’, propelled for an inquiry in the urban context of Mumbai. The city has also witnessed the open space, particularly the parks or the plazas transforming into formal and informal spaces for select activities. The informal interventions set cues for the anticipated and changing nature of sociability in the city. The social phenomenon is more accentuated at the unplanned places (Shroff, 2015), where the manifestation is temporary and comes into effect at a particular time. The architecture is envisioned in the interstitial time of urban evolution and newer formulations imagined for the neighbourhood’s pent-up demand for social and short-term public infrastructure. The location of intervention in the dense city centre of Mumbai, where extensive studies on patterns of informal interventions and social engagement are conducted offers a greater scope for experiments and also creates wider acceptability for an inclusive society. Keywords: Pop-up Environment(PUE), cityspace, public infrastructure, informal interventions, inclusivity. Pop-up environments [PUE] and the city space

Email Guide Semester Subject Student Name Tejas Shinde Architectural Design II Ar. Yagnik Bathija tejass20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : The design intends to guide the user to its desired location through a series of different wall alignments, which creates a sense of belonging through the use of indigenous materials. The three action words 'organize', ' puncture', and 'silent' have influenced the design which incorporates these words through a series of conjunctive volumes and spatial organization of spaces according to their hierarchy. The enclosed volume within the two walls opens up to the central courtyard, which is shared with the Janta darbar and allows the user to break up from the usual monotony of traversing through a single structure. This is in accordance with the nature of the villagers - as we consider their subconscious urge to know each other through the openness of heart. By following the path of the wall, the library resonates with the Janta Darbar, which further frames the whole site into two different experiences - the experience of viewing the entire structure from an outside perspective and experiencing the whole structure through a frame that opens up to the internal courtyard. Previous Next Library - Vachnalay

Email Guide Semester Subject Student Name Rucha P. Joshi, Pranay Kutal Architectural Design II Ar.Chintan Shah, Ar.Shivani Mehta rucha20@aoamumbai.in Studio Conductors Ar. Anisha Mehta, Ar. Chintan Shah, Ar. Devyani Deshmukh Upasani, Ar. Mythili Shetty, Ar. Neha Panchal, Ar. Parnavi Karandikar Ar. Rishi Vora, Ar. Shivani Mehta, Ar. Yagnik Bathija : : : : : : : : : : : The intervention includes a Janta Darbar and an Akhada near the Gram Panchayat of Phulera. Janta Darbar is an extension of a Panchayat, where people meet to share their problems with a political leader. Someone will have to wait in the waiting area then comes the administrative office, where someone can fill forms or gather information, ahead of which is the public hall, on the left of which is private room 1, for officials to discuss internal matters and toilets ahead of it. To go on the first floor, someone has to take the staircase from the waiting area on the first floor. On the left side is private room 2, for discussing family issues, and on the right of which is the first floor sitting area of the public hall. One can also access the roof and use it to rest and relax by taking a light walk on stairs or sitting on the grass. Previous Next Phulera Me Ja Aur Khel

Previous Next Email Studio Conductors Semester Subject Student Name Simran Khaitan, Kevin John, Suhani Khandelwal Environmental Studies II Ar. Prerna Thakar simrank20@aoamumbai.in , kevinj20@aoamumbai.in , suhanik20@aoamumbai.in : : : : : : : : : The objective of this exercise was to understand different types of vernacular architecture and how the people native to the place respond to their various needs and limitations based on their geography. The project that we chose was the Trullo house of Alberobello, Italy. We started with researching the place and the Trullo, like how its roof, walls, interiors are designed based on human comfort. Based on these we came up with 12 subtopics for the network map. The aim of drawing a network map was to understand how all of these topics were interrelated to each other. Trullo

Previous Next Email Studio Conductors Semester Subject Student Name Sarvesh Kambli, Aditya Srivastava, Aishwarya Joshi, Suyash Dhadiwal, Riddhi Deshmukh, Sanika Talekar Environmental Studies III Ar. Richa Raut sarveshk20@aoamumbai.in , adityas20@aoamumbai.in , aishwarya20@aoamumbai.in , suyash20@aoamumbai.in , riddhi20@aoamumbai.in , sanikat20@aoamumbai.in : : : : : : : : : Frank Lloyd Wright described vernacular architecture as “Folk building growing in response to actual needs, fitted into the environment by people who knew no better than to fit them with native feeling”. The architecture of torajan houses is indegenious to the region and is influenced by the different environmental and cultural factors that can be observed in the indonesian islands. The orientation and the planning of the interior spaces is highly influenced by the direction of the sunlight and the beliefs of the tribe people themselves. Even the materiality and the method used by them to adjust to the local climate has made this structure way more efficient in terms of circulation and articulation within the restricted space. Adding to this, the uniqueness of the way in which they have tackled the problems of modulating the sunlight by covering the structure in a hyperbolic roof form to providing a stilt area for the cattle and also for keeping the house at a elevated height during floods is what makes this truly an great example of vernacular architecture. Kathkuni House

Previous Next Semester Theirry Kandjee, Palak Gupta, Aditi Saksena VII, IX Studio Conductors : : : Mumbai as an estuary has had a deep and long relationship with its water terrains. The city has a rich history in its journey from being seven hilly islands to the present metropolitan it is. This project investigates through readings and drawings a simple question “how can we critically acknowledge the evolving relations to mumbai waters over time?” The knowledge created through this inquiry ultimately enabled the discussions of the past, present and future of Mumbai waters. MUMBAI WATERS, A CRITICAL ATLAS

Previous Next Email Guide Semester Subject Student Name Adnan Motiwala, Riya Khinvasara Architectural Building Construction and Materials III Ar. Rohit Karekar adnan20@aoamumbai.in riya20@aoamumbai.in Studio Conductors Ar.K.V Parmeshwar Ar. Kanak Kashyap Ar. Rohit Karekar Ar. Swapna Hankare : : : : : : : : : : : The concept of the structure was inspired by the infinity loop wherein the user can experience the pavilion by entering from one side and exiting from the other. The structure is made out of RCC. The structure was designed with multiple levels to make it fun for the user to experience. A staircase along with a ramp was imbibed in the structure adding to the playful nature of the pavilion. A grid of columns was formed to give the structure stability. A column was added at every junction for the same. Along with this a cantilevered slab was included in the design. This slab acted as a viewing deck for the users to view the exteriors of the site. The Infinity Walkway

Authentic Representation - Gender, sex and Sexual Orientation and Inclusivity (Winner) Previous Next Email Semester Competition Name Student Name Tanaya Nadkarni Cieda Huluku Design Competition X tanayan17@aoamumbai.in : : : : : : : Competition Brief: The huluku competition is all about inspiring creative inclusion in the digital art and design world and promoting the development of inclusive digital art which reflects the world. Narrative: The theme of Sexual orientation under the umbrella theme of inclusivity arose from a slinky. It is a spiraled spring toy that creates beautiful flexible patterns of blending colors when it is played with. This is one perspective to look at Sexual orientation- not always permanent with beautiful fluid blending. Furthermore, when it comes to the roles we take up in society, these need to highlight not our labels but our contributions towards the growth of it all. Today, many humans have gone beyond educational stereotypes purely based on their prowesses. This needs to be acknowledged and encouraged.